Life for both sexes — and I looked at them, shouldering their way along the pavement — is arduous, difficult, a perpetual struggle.
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Risk Assessment
Under what circumstances is it appropriate for SAIC to ask a student to change work exhibited on campus?
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“Dominion” by Ajna Lichau
Ajna Lichau’s video installation “Dominion,” which just closed on Saturday at the Tribute gallery (625 NW Everett #102), explored the representation of control and resignation without being polemical.
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Allison Halter: Conflating Sissy Bounce with Minimalism
Allison Halter: I come from a funny performative background — I was a synchronized swimmer as a child, and competed for about seven years. But in undergrad, I considered myself a photographer, and most of the work I made and was interested in was photographic. … It was still a sort of roundabout path: I…
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Catherine Opie — 2012-13 Visiting Artist Program Lecture Series
In her introduction for Catherine Opie, SAIC Dean Lisa Wainwright referred to the artist as “a documentarian and a romantic.” Wainwright’s comments – directed to the near-capacity crowd of students, scholars and admirers gathered at Rubloff Auditorium on September 10 – referred to Opie’s ability to capture and emphasize the beautiful in the commonplace, a…
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Were you Talking to Me?
Sharon Hayes is the epitome of what formalist and conservative aesthetes hate about contemporary art. Her work is queer, political and feminist but these aren’t the only reasons to love her.
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Gil Riley on Painting, Boobs, and Artistic Drive.
Gil Riley is an MFA painting candidate at The School of the Art Institute of Chicago. In the Fall of 2011 she was featured in a group show, “My Ghost at Home,” which was titled after one of her paintings at SAIC’s Parallax Gallery. The show featured work by Riley and two of her MFA…
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