Under what circumstances is it appropriate for SAIC to ask a student to change work exhibited on campus?
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Catherine Opie — 2012-13 Visiting Artist Program Lecture Series
In her introduction for Catherine Opie, SAIC Dean Lisa Wainwright referred to the artist as “a documentarian and a romantic.” Wainwright’s comments – directed to the near-capacity crowd of students, scholars and admirers gathered at Rubloff Auditorium on September 10 – referred to Opie’s ability to capture and emphasize the beautiful in the commonplace, a…
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Gil Riley on Painting, Boobs, and Artistic Drive.
Gil Riley is an MFA painting candidate at The School of the Art Institute of Chicago. In the Fall of 2011 she was featured in a group show, “My Ghost at Home,” which was titled after one of her paintings at SAIC’s Parallax Gallery. The show featured work by Riley and two of her MFA…
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Queer Concerns and Attachments
“How can an artwork claim to represent a queer aesthetic if it does not overtly represent gender or sexuality?” “What are the domains of queerness and how can they expand?” Some of the most interesting strains of queer thought and art practices are developing these themes. The first work inside of the expansive exhibition “The…
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“Super Moment” at the LeRoy Neiman Center Gallery
Composed mostly of large post-prehistoric sculptures “Super Moment,” on display in the Student Union Galleries’ new LeRoy Neiman Center Gallery, features organic seeming icons of an imaginary civilization — odd and crude. The exhibition, a solo show by SAIC recent BFA graduate Max Garett, suits the new location well with its unique public viewing possible…
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“My Ghost at Home,” Inaugural Show at SAIC’s Parallax Gallery
The artist as “anti-hero” is a modern concept. Think Jackson Pollock in his bookless studio, chain-smoking, and degrading a sacred canvas with plasters of paint and shoe prints — an encounter that is the direct inversion of Michelangelo’s “Creation of Adam.” According to an interview with curator Josh Dihle on the Student Union Gallery’s website,…
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