Under what circumstances is it appropriate for SAIC to ask a student to change work exhibited on campus?
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writer and editor
Under what circumstances is it appropriate for SAIC to ask a student to change work exhibited on campus?
Read MoreIn her introduction for Catherine Opie, SAIC Dean Lisa Wainwright referred to the artist as “a documentarian and a romantic.” Wainwright’s comments – directed to the near-capacity crowd of students, scholars and admirers gathered at Rubloff Auditorium on September 10 – referred to Opie’s ability to capture and emphasize the beautiful in the commonplace, a…
Read MoreGil Riley is an MFA painting candidate at The School of the Art Institute of Chicago. In the Fall of 2011 she was featured in a group show, “My Ghost at Home,” which was titled after one of her paintings at SAIC’s Parallax Gallery. The show featured work by Riley and two of her MFA…
Read MoreGraduation is quickly approaching and the only thing on graduating students’ minds, besides completing their thesis or studio work, is what’s next? In February, the U.S. Labor Department issued an encouraging jobs report. It highlighted that 236,000 new jobs had been created in the U.S., far more than many economists’ predictions. Also, the unemployment rate…
Read More“How can an artwork claim to represent a queer aesthetic if it does not overtly represent gender or sexuality?” “What are the domains of queerness and how can they expand?” Some of the most interesting strains of queer thought and art practices are developing these themes. The first work inside of the expansive exhibition “The…
Read MoreComposed mostly of large post-prehistoric sculptures “Super Moment,” on display in the Student Union Galleries’ new LeRoy Neiman Center Gallery, features organic seeming icons of an imaginary civilization — odd and crude. The exhibition, a solo show by SAIC recent BFA graduate Max Garett, suits the new location well with its unique public viewing possible…
Read MoreThe artist as “anti-hero” is a modern concept. Think Jackson Pollock in his bookless studio, chain-smoking, and degrading a sacred canvas with plasters of paint and shoe prints — an encounter that is the direct inversion of Michelangelo’s “Creation of Adam.” According to an interview with curator Josh Dihle on the Student Union Gallery’s website,…
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